PARIS — The name Christian Louboutin, the flash of a shoe’s red sole — these things have become shorthand for luxury, fabulosity and sex appeal, a kind of synecdoche of success.
“There is a type of joke that’s often said in Paris,” Mr. Louboutin said, sitting behind his desk at his offices in the First Arrondissement, not far from Les Halles, “that my name almost became like Frigidaire.” That is to say, a brand name turned byword.
Mr. Louboutin and his trademark red soles (he has defended them against imitators in court) have been a tenacious presence in pop culture for years, turning up often on television and film (he is one of several accessories designers to get a “Sex and the City” boost), in song and story.
Their latest and most chart-topping shout-out came recently via the Bronx-born rapper Cardi B, whose breakout single “Bodak Yellow” catapulted her to No. 1 on the Billboard 100 last week, a spot she retains this week — the first solo female rapper to attain the position since Lauryn Hill with “(Doo Wop) That Thing” in 1998. (In Ms. Hill’s song, the only shoes mentioned are Timberland, as status symbols for men.)
“Bodak Yellow” is a by-the-bootstraps bildungsroman in verse, sketching Cardi (nee Belcalis Almanzar) on a journey from stripping through reality-TV fame to hip-hop success. It opens with an unassailable declaration and demonstration of arrival. “These expensive, these is red bottoms, these is bloody shoes,” she raps. “Hit the store, I can get ’em both, I don’t wanna choose.”Continue reading the main story